Theoretical priciples of Arts De-estetizada
Author: Dali
"Art is a lie that makes us understand the truth." – Pablo Picasso
What kind of support they are not contemporary art today these days?
What kind of truth, we made it through contemporary art?
Contemporary visual art scene is like space filled of broken mirrors, pictures that reflect each other in the field of multimedia circus. The technique of cataloging and classification, the creation of categories, could serve as a key element for mapping and understanding the complexity of the multitude of approaches and the flow that currently exists in the world of art. Criteria for the establishment and the selection is drawn at random from the structures, and questioned the relevance of the theoretical evolution of art.
The categories of the system are of matter and consciousness. They provide the trunk from which all the different branches of the root of other categories. All items are interconnected, so the whole world can not be understood as an element of the set. Dialectical materialism (A. Spirkin)
Determining the importance of styles and trends, the mainstream of art, groups or other structures, will become irrelevant in the near future. "Anything goes" has been replaced by "What what? "With all the information and tools available today, the whole world could become an artist. The people of all professions are playing with new media. Garage Band is a musician or a designer of graphics software, or using a digital camera for a photographer? New technologies create a game where the competition for what everyone wants to win. Gagner de l'art, the experience of "15 minutes of fame and become a "super-hero." consumer society is the replacement of superficial happiness. Who will watch the game if everyone plays. Fortunately we can not play at the same time. Audience ranging from small groups (family members and friends) of major groups in society. In large social communities, like structures, the implementation of the "hero-artist" decreases and culture is broken into small pieces the individual performance of a regional nature. Trends of the investigation into the art scene of behavior in the context of contemporary philosophy of art, which tend to accept a concept that everyone is or may be an artist. The meaning, significance and consequences of these flows are of the mind deep and have a great impact on culture and social life. Why? We must abandon the concept conceptual thinking.
My artistic process is created on these bases. Not that I would be able to perform the non-dualistic, but I'm trying to do some speculative futuristic predictions of the time after the end of art. Sooner or later, this trend is going to be labeled as an art unthinkable. Historically, the completion of this road becomes a paradox common sense (including the collective), but similar trends were found in the air in the post-post-rain, and soon appear in the sky like a rainbow.
Today, conservatives are seeking unique and interesting angles to make its point when using techniques for selective art exhibitions. The use of traditional approaches ensures the cycle of art from creation to distribution, and protects the capital culture of the office. Even most of the scenes of replacement (ie, technology, or other forums that this so-called "new media") are not the solution the question of the role of contemporary art in the cultural platform of the world, because they are based on tradition of conservation, and pre-selective mechanisms. What I mean by this? I refer to study the nomination process of the mind in relation to the definition of what we called: Art. For reference, the dialectic of philosophy is an example of demonstrating the potential of the idea expressed by Mr. A. Danto, art becomes philosophy. These ideas must be approved not only by the artists themselves, but by structures that support officially reformulated major cultural platforms.
What are the results the conference in Tehran in 2001? The art is presented to the public in the format of the 20 century. Art books that support these views static, are certainly not to increase public awareness and knowledge of the modern art world. Mark Kostabi The artist alludes to the idea, the art of being a market player. Some are conservative chirp of this statement. In the overview of Westernization, Mr. Kostabi the phenomenon is becoming a guide – a hero who is the ideal combination of qualities that must have the artist. This is the best proof of the lie that helps us understand the truth about the art of today.
Like a flash of neon, art is reflected in all parts mirror.
It seems that a new quality of the issue had arisen from Arthur Danto has published his ideas in a book entitled "After the end of Art, 1998." More ten years ago, Arthur Danto announced that art ended in the sixties. Since that statement, which has been at the forefront of a radical critique nature of art of our time. "Art has become a philosophy.
I have always believed in the search for answers in the space between the search equilibrium. Neither postmodernism nor the new media approaches are responses to the understanding of the role of art in the morning. Postmodern world is a world of entertainment. It's like an amusement park, where the possibilities are endless and we feel overwhelmed for a while, but we have to relax the excess of information and go home.
Kostabi is one of those who understood the art market, and because of his intelligence, which entered into the system, took advantage of him so that he can do whatever he wants. We pay a high price for tickets in your pocket. I admire him because he has made the dream of every artist. Or is it not a dream of every artist to get known and sell works of art from all over the world?
If not, what is it?
Is it still appropriate to ask, and what is art? How can we treat? What is the nature of beauty? I refer to dialogue between Einstein and Tagore, 1930.
Einstein: There are two different conceptions of the nature of the universe – the world as a unit dependent on humanity and the world as a reality independent of human factor.
Tagore: In our universe is in harmony with man, the eternal, we know the truth We believe that beauty is. "
E: If there are no other humans, the Apollo of Belvedere would no longer be beautiful?
T: No!
E: I agree with this conception of beauty, but not the truth.
T: Why not? The truth is carried out by men.
E: I can not prove my idea is good, but it is my religion.
T: Beauty is in the ideal of perfect harmony, which is universal in the being, the truth is a perfect understanding of the universal mind. We are people the entire focus of our own mistakes and errors, accumulated through our experience is illuminated through our conscience. How can we also know the truth?
– By Dmitri Marianoff published in The New York Times, August 10, 1930
"Contemporary artists are closer to new horizons. One of the reasons This failure seems to be the separation of the artistic activity of speculative thought. "
Tehran Museum of Contemporary Art 2001, International Conference on the Philosophy of Art.
What has happened since the conference? How to overcome the speculative thought, if it arises as a result of cultural values supported by the society we live in?
How to identify the people or the place of art in the world is already so complicated and diverse scene, without compromising originality, respecting the development of art? How can we cope with the speed pass, minute by minute trends in art? How contributes to the art of the artist's life, not only contributes to 15 minutes of the story? What are the values, the reasons the art of tomorrow? There is analogy in the history the state of the art in our time? What forms of visual exploration? What will be the production of art in the near future, 10 years? What is the role of new media? The artist should be involved in the philosophy of art? Could create individual works of art created in isolation? If so, how they are structured on the art of the individual and the world?
It's fascinating to think about becoming a pioneer in the new era of art. My motivation is to explore the range of possibilities. In no inherent interest in the matter, rather, I am interested in the evolution of the artistic possibilities of thought. 1999 I graduated from the Academy of Fine Arts in Bratislava, installation inspired by I. Kabakov, I explained that my work with drawings and engravings in the soil and white sheets, with the intention of questioning the meaning of art itself. Blank canvas, which was the question of the reason for the further development and marks the end of history art. Vi closed opportunities. If something is possible, and was an art, nothing is more an art, so art was death. But now I realize this was just the beginning of my long trip to the realization of the truth about art.
The Incredibles (2004) current feelings about the end of art.
"When everyone is a superhero that is super heroes. "
In order to continue activities that lead to this product is labeled as an art, had to develop and revise the following facts:
1. Analysis of the situation.
2. Underlying wrong of himself and bad reasons.
3. Formulate solutions and strategies.
4. Continuous production and symbiosis with the visual reality.
1. ANALYSIS OF THE SITUATION
The conference in Tehran: Post-Modernism and Contemporary Art
April 27 – May 1, 2002
The problems of contemporary art:
– The aesthetic in contemporary art
– The thin line between art and non-artistic
– The language and expression of contemporary art
– Contemporary Art and Literature
– Contemporary Art and Technology
– Globalization and contemporary art
– Post-Modern Art: Features and Specifications
– The End of Art
Post-modernism and trends in contemporary art:
– Minimal
– Conceptual Art
– Land Art
– Video Art
– Body Art
– Anti-Art
– Local Art
– Feminism
– Post-Modern Architecture
Origins of the post-modern art theory
Theoretical principles of modernity from the perspective of the modern philosophers:
– Humanism
– Rationalism
– Subjectivism
– Nihilism
– Aesthetics
– Lighting
2. WRONG IN AUTO AND MOTIVATION
Me played the traditional themes of the dilemmas of the dualistic mind. The acceptance of dual aspect, led to the decision, thought, not only in art. Create categories from the tragedy of the era after the end of art. That is why the beauty and any other category can be defined, which continues the label.
Definition other reasons for the misunderstanding is based on the comparison of Nietzsche and Malraux models art and the creative process.
Nietzsche
a. Seek for oneself is less artistic public. Superstitious belief in the "genius"
b.One harangues dark instincts dissatisfaction, ambitious, free spirits disguised in a democratic age: the importance of laying.
c. The transfer of the proceedings of an art to the other arts, the confusion in the aims of art with the knowledge or the church or racial interests (nationalism), or philosophy.
d.One flatters women, the sick, outrage, etc. False "escalation."
André Malraux
The art exhibition is a universal creativity. Through works of art man was, and remains, to oppose and transcend the limits of its development physical, personnel and social (historical) destination. Malraux refuted explain works of art in connection with the biography of its creators, and was against it, explaining the rationale and content of art.
3. PREPARATION OF THE SOLUTION AND STRATEGY / VISION-UTOPIA
a. Reactivation icon quality.
Due to the degenerate was the spiritual and the ending of the old gods, that migration and multicultural mix is responsible, I am looking for new opportunities Sacra shape. This is not a transcendental art. This is a search for the art form that allows you to observe the dialectical evolution of wisdom where the essence of secret sacred is highly respected. This is a new level in the area of new colors, shapes and structures. Renewal forms of art is based on the revaluation of the attributes of sacred history and the rise of the forces of the modern era, defining the grounds and the outlook for ways to redefine the sacred. There are symbols of rebirth in the plane world. It is not a new religion, but a new level of social consciousness. Remains the same, the spirit is different. Technology, art and philosophy integrates continuous symbiosis.
b. The role of artists, galleries and cultural industries. Combining two worlds. New culture of Wisdom. Utopia.
This would be the end of the year "… governed by Thursday market art dealers, gallery owners and publishers, who manages the business of the culture industry."
The global society is governed by the new cultural complex of Wisdom. Creating art is not considered as the act of creation. "Art is like breathing spontaneous. "Artist is a production that is mixed immediately and, of course, the environment, so that the sub-consciousness is directed by wisdom, that eliminates the problem of the hierarchical model. Gallery space is no longer necessary and the whole area is becoming a showcase. The whole area does not require installation. Is a awareness of art in terms of representation of the image, the retina of the experience or the selection of the image in the context of consciousness and the aesthetics of it. The artists are making art that is already blended into the natural environment as part of the area and serves as a potential public perception of performance. Wisdom culture is defined by the human conscience, which offers unlimited potential for defining the processing of the images of reality and limits of understanding of reality.
c. Clash of civilizations. Global culture. Meta-code, artistic and New Religion.
We can experience the cultural formation of world of new qualities which are based on the clash of cultures. (Example: the cultural world is home to LA with my Mexican friends and Persian music to listen to the Japanese techno, eating cheese with bread Arabic Bulgarian, Russian pickles and wine French, Slovak, when considering the culture, or latest fashion in London.) East meets west or south to north is fulfilled process not yet complete and it is difficult to predict the outcome of the culture. But keep in mind that the formation of the universal space, where cultural identities are being reshaped. This will result in a temporary crisis of individual identity, but eventually lead to the identity of global consciousness.
Americanization of the world can serve as a model for the globalization of the world with their positive and negative aspects. Migrate to the caves is limited. SJLewy
4. CONTINUOUS PRODUCTION VISUAL AND symbiosis
I want to scratch beyond the surface of A. Danto 's philosophical questions about the end of art. There were no real "courage" to clarify their ideas of the philosophical perspective, but I just want to reflect on some fragments and link strictly as an artistic vision.
"A philosophical question arises whenever we have two objects that seem particularly relevant at all similar, but they belong to the major philosophical categories.
… And this is no less the case when you look at the differences between artworks and mere things seem exactly the same.
… For example, with respect to paints very complex set of objects. They are, but we can imagine objects in harmony with those who are not art, it must be equivalent in terms of complexity of perception. After all, the problem is posed in the first place because the difference in perception can imagine finally relevant. Nor can the possession of the "aesthetic" to serve, as it would be art in the de-aestheticize the concept of art. Marcel Duchamp was much deeper than the artist Warhol, presented as "ready" objects chosen for their lack of aesthetic qualities – grooming combs, hat racks, and as everyone knows, health plumbing parts. "Aesthetic delectation is the danger to be avoided," wrote Duchamp, the most controversial of his work, Fountain, 1917. Just great effort Duchamp to understand that art is an intellectual activity, a conceptual framework for business, not just something that the meaning and feelings come into play and must be true at all art, even more than doubled in the successful eyes or ears, not just those that are considered particularly "philosophical", as the School of Athens Raphael or the Mann's Magic Mountain. They were choreographed by Plato's Republic, not just for its content, rather than philosophical or Petrouchka Coppelia. In fact, be more philosophical, such as using real dancing doll imitating imitating real dancers!
Where are the components a theory of art are you? I think initially it may be the recognition that works of art are representations, not necessarily in the old sense of something like his subjects, but in the broadest sense, it is legitimate to wonder about what they are.
Now, of course, not all things are representational works art, so the definition is just beginning. I'm not going to take the next step here. Everything you wanted to show how the philosophy of art has a deep there doubts, questions of representation and reality, structure, truth and meaning. In considering these things, it moves from the periphery toward the center of philosophy, and In doing so, curiously, integrates the two things that lead to it. In fact, when the art has reached the level of awareness of self, came to perform in our time, the distinction between art and philosophy is also problematic that the distinction between reality and art. And insofar as the appreciation of art becomes a question of implementation of the philosophy can hardly be overestimated. "- A. Danto
I believe that art should reach the level where their representation is the representation of the pure. What I mean by pure existence? Ii is scrubbing the level of non-creation. All creation is pregnant with their cause. Consequently, the causes the establishment of purification to purify the creative act itself.
Awareness about the cultural world of the wisdom of building the platform, that the representation of all things will become a work of art. It would be awareness and capacity under the fragment of reality and the aesthetic is applied to he. Cultural reality of wisdom is finally estetizada. Marcel Duchamp, the idea of the danger of the aesthetic pleasure is eliminated and his vision completed.
Every aspect could become the reality in art, culture, wisdom, but in reality does not allow dual (Trial) meaning of art into the community or in a Regional scale. There is only one possible point of view, the level of consciousness. However, in later stages of development of wisdom, culture, the last stage calm, nonjudgmental aesthetic experience of the ultimate reality that art can be achieved simultaneously in more than one person. Evolution of collective experience could follow. The result of this experience is reflected in the parallel evolution of the human race to the subtlety of the spiritual qualities and the attainment of quality linked to the beauty of life itself. Is the greatest aesthetic experience. This will result in the creation of new social structures, where "shaman" to protect the shrine.
Sanctuary gasoline is present in all aspects of reality that keeps the door to the possible, where the seed of the nature of beauty can be found.
About the Author:
Dalibor Polivka is an artist of Trnava, Slovakia, living in California and worked as a winning designer, art director, art teacher and studio artist. In recent years, associated as an art instructor at the Institute of Fashion Design and Merchandising (FIDM) of CA, William King the Regional Arts Center Abingdon, VA, and the attached drawing and design instructor at the University of Tennessee, Knoxville, TN. Dalibor has exhibited around the world in exhibitions individual and collective. His art has been chosen for the exhibition of art-II has been conceived as a way to create visibility and recognition of the most important ones are produced Tennessee.Dalibor by artists who reside in participating in projects of public art as "experimental design" by William King Regional Arts Center Abingdon, VA; exploratoire in Gallery Museum of Art Knoxville, TN, and organizes international (East-West) Art exchange such as the American Vision Gallery 7 2 "Z" Bratislava, Slovakia, Slovakia and Contemporary Art Show at Cleveland State University, OH; Ewing Gallery, Knoxville, TN, State University of West Georgia, Carrollton and Atlanta, GA. The exhibition of contemporary Slovak art was included in the agenda of cultural and social events organized by the Slovak and Czech in embassies of the United States to commemorate the 10th anniversary of the Velvet Revolution.
Article Source: ArticlesBase.com – Title = "Theoretical priciples estetizada De-Art"> priciples Theoretical estetizada Art De –
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